"Palace Theatre, Shaftesbury Avenue, W.1, Gerrard 6834. Peter Daubeny Presentation Ltd. by Arrangement with Leon Hepner present Antonio and his Spanish Ballet Company, Rosita Segovia, Carmen Rojas, Paco Ruiz, Carmen Rollan, Antonio de Ronda, Graciella Vazquez, Victoria Eugenia, Alicia Diaz, Carmen Mota, Pastora Ruiz, Joaquin Robles, Jesus Reyes, Pepe Soler, Rodolfo Otero, Teresa Maizal, Nydia Naranjo, Pepita Morillas, Adelina Lopez, Maria Luisa Martin, Lina Montes, Ana Maria, Sylvia Ros, Rafael Gomez, Alberto Luis, Manolo Torres, Fernando García, Dorita Lucas; Flamenco singer: Pepe Fuentes; Guitarists: Manuel Moreno, Joaquin Baena, Sebitas; Conductors: Angel Curras and Francis Chagrin; pianists: Angel Egana; Ballet mistress: Ana Ivanova; Choreography, direction and lighting by Antonio; Assistant Artistic Director: Carlos Viudes"

"First programme: Tuesday, 18th September to 6th October, 1956"

En la cub.: "Souvenir Programme"

Triana (First performed at the Teatro Victoria Eugenia, San Sebastián, 1955). Por Mirabra (First performed at the Broadway Theatre, New York, 1955). Fantasia Galicia (First performed at the International Festival of Granada, 1956). El Amor Brujo (First performed at the Saville Theatre, London, 1955). Pas de Quatre (Inspired by the melodies of Spanish composers of the XVIII Century. The costumes are based on those of the XIX Century). Serranos de Vejer (First performed at the International Festival of Granada, 1953).

Por Mirabra (This belongs to the most ancient group of serious Flamenco songs called "Cante Grande"). Fantasia Galicia (Ballet based on the traditional music of the Kingdom of Galicia). This story, inspired by the old Galician legend of the "Santa Compania", tells of wandering souls looking for those who will die that night, so that they can light their way to eternal peace. Antonio is accompanied in this dance by the sound of the "vieras" (scallop shells), based on the primitive traditions of the Galician Dances . El Amor Brujo (Ballet in one act by G. Martinez Sierra). Pas de Quatre: a) "Allegro con garbo": based on a Sonata by Mateo Albeniz (1760-1820); b) "Allegro gracioso": based on a Sonata of Father Narciso Casanovas (1747-1799); c) "Allegro Scherzando": based on a rondo of Father Felipe Rodriguez (1754-1814); d) "Tiempo de seguidillas": sonata by Father Mateo Gallos (1761-1814).

Triana/ music by Isaac Albeniz. Por Mirabra/ music by A. Ruiz. Fantasia Galicia/ music by E. Hallfter. El amor brujo/ music by Manuel de Falla. Pas de quatre/ music by Pablo Sorozabal. Serranos de Vejer/ music by A. García Soler

Triana (Victoria Eugenia, Alicia Diaz, Carmen Mota, Paco Ruiz, Antonio de Ronda, Jesus Reyes). - Por Mirabra (Antonio; Flamenco singer, Pepe Fuentes; Guitarist, Manuel Moreno). - Fantasia Galicia: a) Rosita Segovia and corps de ballet; b) Rosita Segovia and corps de ballet; c) Teresa Maizal, Adelina Lopez, Maria Luisa Martin, Lina Montes, Ana Maria, Sylvia Ros; d) Rosita Segovia, Carmen Rojas, Carmen Rollan, Victoria Eugenia, Nydia Naranjo; e) Paco Ruiz, Antonio de Ronda, Joaquin Robles, Rodolfo Otero; f) Antonio and Rosita Segovia; g) Antonio and full Company. El amor brujo (Rosita Segovia (Candelas), Paco Ruiz (The Spectre), Antonio (Carmelo), Carmen Rojas (Lucia), Pastora Ruiz (The Sorceress), Anna Maria Anelli (The Voice). - Pas de Quatre: Introduction: Rosita Segovia, Carmen Rollan, Graciella Vazquez, Alicia Diaz; a) Allegro con garbo: Alicia Diaz; b) Allegro gracioso: Carmen Rollan; c) Allegro Scherzando: Graciella Vazquez; d) Tiempo de seguidillas: Rosita Segovia; e) Allegretto con brio: Rosita Segovia, Carmen Rollan, Graciella Vazquez, Alicia Diaz. - Serranos de Vejer: a) Por Serranas: Carmen Mota (the dancer); Joaquin Robles, Jesus Reyes, Rodolfo Otero, Rafael Gomez (men of the Mountains); Pepe Fuentes (the singer); Manuel Moreno, Sebitas, Joaquin Baena (the guitarists); b) Seguiriyas gitanas: Antonio y Carmen Rojas; Manuel Moreno (guitarists), Pepe Fuentes (flamenco singer); c) Fandangos por Verdiales: Antonio and full Company.